Biology of Change or The Fat Fear

There's a time when fear has to go. Because when fear looks at the other side of the world, checking her face into the shiny surface of the grand glacier, she might not recognize herself. See, when things start changing, they first stuff fear with all the nutriments she screams for: the disturbing vision of an aggressive enemy, the collapse of a system, the anger of a population, the sadness of a loved one, the paralysis of the self. Fear slurps it all, and burps it back in contentment. For an obsolete system, there's nothing more reassuring than the pillowy comfort of its own fat fears. 

In seldom times of history though, things start to drastically change. They melt so fast that the fear feeding gets out of control. Bulimia and anorexia dance like best friends in a weary discotheque. People make fear soups at every corner of their streets, on every page of their magazines, and every screens of their devices. Fear is a pledge in times of dramatic changes. Like weed, it grows everywhere, vomiting out of our ears and mouth in lianas, covering our wood floor with webs of acidic ivy, climbing back onto the walls, steaming up out of our chimneys, in a filthy yellow cloud. Fear gets obese. Rolling around like a gooey ball, chewing any events like junk food, ever bigger, seemingly stronger. 

But what happens when change gets completely out of control, while fear gets so fat, it can't even swallow a crumb? Fear stops to a giant bench and falls asleep, paralysed. Change, on the other hand, gets so busy, that it passes by sleepy fear and forgets to throw her a penny to help with her next meal. Fear can't recognize herself, too fat, too rich. Plus change doesn't pay her any attention. In that extreme case, change can't support fear any longer. Hasta luego, fear! I'm too busy changing to take care of you, I AM change after all, and you got way too big, I have nothing left to feed you with. 

When things are melting, when the world is melting at a speed we can't even comprehend, fear ceases to be a security, falls in a coma and melts under the blazing sun. She spreads one last greenish paddle and disappears into the darkness. It's a little bit like trying to recognize our old self in the melting mirror of the grand glacier, up there, on the other side of the world. We look different, changed, formless. Strikes of multi-colored waters, shaded black, blue, grays cover our traits onto the canvas. We melt too. Are we still here? On it, in it? Is it another self? Why can't we be comfortably sat in our fatty fear club chairs? Where is what we know? Knew? 

 

Well fear has gotten so sick, she had to die. Changes have gotten so strong, they now taking us on the scariest ride of our existence. What shall we do if grand-ma fear is gone? How can we cope? Why do we cry so often? Because we are melting. Not just the grand majestic glacier up there. There's no UP THERE actually. The distance between us and the pole is no greater than the one between your head and your toes. We are here with the glacier, which is taking us by the heart and guts, making us shut up, and listen to the crack of the melting ice. Hearts feel broken because they're melting. We try to listen, but those silent words are unknown. We just sit on a small icy platform curling into little balls under the polar bear's soft belly, drifting. 

The glacier is melting, our heart is melting. The waters are taking over because Gaia's fever calls for a big saving cleanse, as we're drifting away, clinging to our disappearing raft. Déjà vu? I know nothing but I feel a lot. I feel a possibility, so I'll try. This possibility is not in the head as we too often misuse it; this gorgeous electrical system which produces solutions but also produces limited beliefs and fear. The other brains, heart, organs are magnificent machines of health. When they change, when they open, it's to produce more life. Whether we sit on a little ice cube or in the middle of a waterless desert, we are facing our extremes. And in those extreme times of change, only the chain of hearts pumping together can replace the broken pipes. Water is so much stronger than us, yet we are Her. So if we start loving her, respect her with all our heart, we can expand and heal. We can channel new ways. Melting waters bare no dams, but it feels energies faster than the speed of light. 

Now I feel the time to love and to pause, to breath. Take the hand next to you, next to you, next to you, and make a long pipe of oxygen, all around this crazy home we call our planet. We can't tame the waters, we can't tame the change but we can channel the dance of it. 

Ma mamie saucisse...

A mes amis saucisses...

Si, durant votre vie saussiflarde, vous aviez eu la chance de rencontrer Yvonne Reichen, 

ma mamie Nice, vous auriez probablement eu la chance unique de connaitre son amour

infini de la bonne chair. 

 

Vous disposant dans une assiette, elle vous aurait dévêtit de votre enveloppe blanche, 

vous faisant frémir en vous attrapant avec ses longs doigts agiles. 

Scrutés et reniflés, vous auriez sursauté de plaisir a l'arrivée des coups secs de fourchette. 

Vos pores fraichement ouverts et suitant quelques gouttes de votre chair fraiche, vous auriez 

patiemment attendu, attisé par les effluves chaudes du chou blanc barbotant dans son riesling, 

enlassant des grains entiers de poivre noir, caressant le lard fumé, et se couronnant d'une 

unique feuille de laurier fraichement cueillie du jardin. 

Enfin, elle vous aurez gentillement allongé sur le lit acide, fumé et sucré, et aurait refermé le 

couvercle de la cocotte pour vous laisser transpirer de bonheur en toute tranquilité.

A strange Dream is a Tautology and I Breath Water

I'm not waking up anymore. My dreams won't stop. Madame Night extends her fingers into my breakfast soup, juices or teas, and sucks them with her big mouth in front of my sleepy eyes. There's nothing I can do but watch her pointing at my inward, speechless as she caresses my tongue in circular loops. "Tell yourself the story again", she says, even though I haven't caught my breath or figured if it's Monday or Saturday yet. "I can't speak with you inside my mouth" I retort. Pause. She whispers: "Of course you can, turn up the low frequency amp and talk back to yourself. I don't need to hear you, I just watched you sleep." Barely breathing through my congested nostrils and my morning asthma, I oblige. I flip my third eye and re-run the run. The three acts, again. I derail for a bit, leaning on the left side of my bed-boat, to reach the morning sky, searching for air. Well, all I see is a beautiful cenotes, colored in deep green and blue tones, inhabited by a family of merpeople looking at me, through the most transparent liquid. What is that water? Because around it, on the road above from where I'm standing, everything is a grey/beige dryness, cracked stones and sticks of antique Bruxelles in ruins. Old Europe in future decay? My subconscious designing a neo-antique future, like they do in those sci-fi post-apocalyptic movies. What a strange dream... Splash! I'm inward again. My bedroom window is pushing me into the wet hole like a teen friend at the public pool. "No pushing!" Says the guard. Which guard? Too late, I like the jump anyway. 

Soupe de Vie

Email à trois de mes meilleurs amis, envoyé le 26 juillet 2011. Trois ans plus tard, je viens juste de remettre le couvert.

Soupe de Courge et Trompettes de la Mort au "Roi du Café" Puces de Saint-Ouen © Adele Jacques

Soupe de Courge et Trompettes de la Mort au "Roi du Café" Puces de Saint-Ouen © Adele Jacques

Les dernières pages de vieilles et pas si vielles histoires d'amour se tournent. Il y a toujours un autre chapitre, on a déjà lu le livre, les livres: ils appartiennent tous à la même collec, la collec des petits coeurs en joie et puis en peine. La vie roule sa bosse au soleil de Californie, vite-vite malgré la chaleur: je me sens courrir derrière ou pousser devant, mais en fait je suis vraiment dedans. Pourtant, je me sens seule. Dans un tourbillon d'évènements: chansons, rencontre, weekends, écrits, déjeuners, obstacles, chansons encore, amis, travail, travail, travail. Je continue. Je mixe le tout. On continue tous. 

Parfois j'ai envie de tout lâcher, de tout foutre en l'air, aller dans une petite cabane avec un vieux miroir et une chaise, un vase et une fleur des champs dedans, un coussin ou je m'assoie et je fais: RIEN. Je pense a Herman Hess, la montagne, la Suisse, je pense aux odeurs de lait qui traverse le beurre frais. En fait, je me sens comme dans un petit cliché, passionnée, à regarder la vie par la lorgnette des belles histoires. C'est ce qui crée la distance, le regard sur soi, sur la vie, mais cette même observation fait la création, logique.

L'histoire est rarement synchrone avec l'heure du levé et du couché du soleil. D'ailleurs à minuit, les histoires se transforment en citrouille, aussi simple qu'un gros légume, qu'il faut éplucher, couper et mettre dans la soupe. Pour nous rappeler, dans l'histoire, que tout ça n'était qu'une histoire? Souvent, j'ai l'impression que je mélange carrosse et coucourde. Yin and Yang se chamaillent, derrière, devant... Merde, les "YY" twins, show me the middle! 

Bon, je ne sais pas ce que je vous raconte, la boule de neige d'été est partie en sucette, Fulguro --- Point!!! La petite histoire du jour: je suis allée sur la page de P. pour le "unfriend" après maintes hésitations.... F...ing FB ... et il est maintenant "in a relationship" avec la femme avec qui il ne dormait plus. Toutes les petites cases s'alignent bien, et la vérité est qu'il a bien fait. Bien fait pour moi aussi! Je lui avais dit de le faire. J'espère que c'est un acte du coeur, car cette femme est là et elle l'aime. 

Moi, j'étais pas encore guérie et mon héroïsme de pacotille -- to "unfriend" him -- n'est finalement qu'un dés de courgette dans la soupe a mémène. 

Là, je veux partir de L.A. et vous faire des câlins. I miss you.